Nan
2020
The project was designed through the reinterpretation of vernacular architectural elements and familiar materials commonly found within local communities, such as wooden fences, woven bamboo wall panels, and traditional rice storage structures crafted from bamboo and natural mixtures of clay and cow dung. These elements were transformed into a contemporary pavilion architecture intended to function as a community showcase and retail space representing eight local villages. At the entrance, community-based art installations were strategically placed to attract visitors and create a strong visual identity for the pavilion. Inside, products are arranged in a circular and immersive layout surrounding the visitor, allowing customers to engage with the widest possible range of locally crafted goods while encouraging a calm and focused browsing experience. ## Design Strategy ### “Tree – Flower – Pollen” Theory **TREE** The pavilion is designed to blend naturally into its surroundings, much like a tree within a forest, preserving the visual harmony and identity of the environment rather than overpowering it. **FLOWER** Just as flowers attract bees, each information pavilion incorporates artistic installations inspired by local crafts and created in collaboration with village artisans. These artworks function as visual attractors, drawing tourists toward the space and generating curiosity about the community’s cultural identity. **POLLEN** Once bees arrive at the flower, pollen naturally travels with them. Similarly, once visitors are drawn to the art installations, they are guided into the exhibition and retail area where they can discover local craft products on display. The pavilion is designed to provide equal visibility for all participating villagers and ultimately encourage visitors to continue their journey deeper into the communities by visiting individual craft studios and workshops.